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“Anon(ymous),” playwright Naomi Iizuka’s take on Homer’s “Odyssey,” offers captivating images, intriguing characters and beautiful ensemble work. Much of it, however, is mercilessly scattered by trying to force it onto Homer’s framework.
I hope someday we will have enough of artists hijacking classic works for their own purposes. Do modern refugees bear a resemblance to Odysseus’s 10-year wandering? Absolutely. They also bear a resemblance to the millions upon millions of people uprooted from their homes by this messy, violent century. […]
